Stream Furiosa – the debut EP by Swedish-born, Berlin-based Janus affiliate KABLAM.
In a review of Furiosa, our media partner Tiny Mix Tapes writes the following: “These are hard-hitting tracks, never pausing for breath, produced for maximum velocity and impact.”
DJ and producer KABLAM (aka Kajsa Blom) was born by the Swedish west coast and moved to Berlin in 2012. She started her career as a DJ, as one of the residents of Berlin’s Janus party alongside co-residents Lotic and M.E.S.H. Janus is now a label and has held parties at Berghain and booked producers and DJs Arca, DJ Hvad, Total Freedom, Nigga Fox and more.
Blom’s style, in keeping with her Janus peers, experiments with the radical possibilities of music, of what a club environment is or can be and of what a dance floor looks and feels like. As a DJ, she manipulates digital tracks, taking advantage of the advanced possibilities offered by CDJs. She likes to play and mix contrasting genres, finding imaginative points of entry and combinations between them, using the parameters of space rather than time to structure the music.
You can catch KABLAM live at the musikprotokoll festival in Graz.
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Stream Furiosa – the debut EP by Swedish-born, Berlin-based Janus affiliate KABLAM.
In a review of Furiosa, our media partner Tiny Mix Tapes writes the following: “These are hard-hitting tracks, never pausing for breath, produced for maximum velocity and impact.”
DJ and producer KABLAM (aka Kajsa Blom) was born by the Swedish west coast and moved to Berlin in 2012. She started her career as a DJ, as one of the residents of Berlin’s Janus party alongside co-residents Lotic and M.E.S.H. Janus is now a label and has held parties at Berghain and booked producers and DJs Arca, DJ Hvad, Total Freedom, Nigga Fox and more.
Blom’s style, in keeping with her Janus peers, experiments with the radical possibilities of music, of what a club environment is or can be and of what a dance floor looks and feels like. As a DJ, she manipulates digital tracks, taking advantage of the advanced possibilities offered by CDJs. She likes to play and mix contrasting genres, finding imaginative points of entry and combinations between them, using the parameters of space rather than time to structure the music.